Showing posts with label Barnes Foundation. Show all posts
Showing posts with label Barnes Foundation. Show all posts

Wednesday, July 17, 2013

Feeding A Quilter's Spirit

I am still unpacking from my teaching stint at MAQ.  It was a wonderful experience, as an instructor, to stay in one place and really get to know students over the course of 3 days.  I can't wait to go back next year and reconnect with my new friends.  my classes will be chosen by the board, so I don't know yet what they will be, but mark your calendars - July 18-20.
 
My friend Kathy flew in from Utah to take a workshop from me.  We met during a workshop from Lisa Call in Philadelphia last year.  She has been spending a few days with me, which has given me an excuse to leave my studio and visit some highlights of the Philadelphia area.  Monday we went to visit The Barnes Foundation.
This museum recently was moved from a Philadelphia suburb to the city amongst a lot of controversy.  Dr. Barnes, a wealthy scientist,  collected and arranged its contents, which includes a ton of paintings by Renoir, Cezanne, Matisse and Picasso along with PA Dutch blanket chests and metal hasps, in a specific format to fit his view of art. He collected the art before it was popular.  His collection was not well received by art critics, so he turned it into an exclusive educational facility with limited access. He died in the 1950's.   Specific instructions were left in his will about the collection, that included leaving it in the suburbs.  It has since been moved to downtown Philly, as the culmination of a lot of wheeling and dealing.
 There is a great documentary about it called The Art of the Steal.
 
 I have been to see the collection in the suburbs a couple of times.  This was my first visit to the new Barnes.  Other than the cavernous lobbies with expansive seating, the collection is presented in an identical manner.  If I had been blindfolded and dropped into one of the rooms, I would not have known the difference. 
 
Yesterday, we just had to head to Lancaster County to check out the Amish and a bunch of fabric shops.  A couple of other women from MAQ joined us as we visited the best of the best.  We started at Burkholder's, then  stopped at Zooks and then The Country Store.  And of course lunch at one of my favorite restaurants, The Kling House, where sitting on the porch you can watch the Amish buggies clip clop down the street.  At The Country Store, we came across the Pennsylvania/New York Row By Row Quilt Shop Hop.  There are over 60 shops participating in Pennsylvania. 
 
Each shop has instructions for a row of the quilt.  This is the pattern from The Country Store:
 They also had a kit for the pattern.
 The theme for the rows is country fairs.  These canning jars are perfect for Lancaster County.

The we were intrigued by the shops participating in the Shop Hop.  We started our trip back home so that we could stop at one more - The Quilt Shop at Miller's.  Their row was a pinwheel pattern , and they also had a fabric license plate. We found out that some of the shops have them. (cost $3.99)
 
I think I need to make something from it.  Stay tuned.
 

Thursday, February 3, 2011

Controversy Over An Art Museum

A few weeks ago, I rented a documentary movie about The Barnes Foundation.   I am not sure how many people are familiar with The Barnes that live outside the Philadelphia area.  It was started in 1922 by Dr. Albert Barnes, using money he had made by developing Argyrol, an anti-microbial.  It's primary purpose was art education.  Dr. Barnes had a vision of how to present art and education  and accumulated an amazing collection of paintings by such artists as Monet, Cezanne, Renoir, Matisse and Modigliani. He had an amazing eye for art and started buying the paintings before the major museums recognized their greatness.  If you would like to read more about it, click here.

The Barnes is located in an affluent suburban neighborhood on a quiet street right outside of Philadelphia.  Originally, it was run as a school and access to it was quite limited.  Only those involved in taking a course of study were allowed entry.  At some point they were taken to court to allow the public entrance.  You can imagine how the neighbors felt about the traffic.  They were not very happy with the school buses and many museum visitors, especially with their tiny parking lot.  So visitation is limited to see this amazing collection of art.  You need to call and make a reservation for a specific date and time.  (And also pay $15 for parking in addition to the entrance fee.)

Dr. Barnes died in 1951.  He had set up a trust that stipulated that his collection was never to be moved or any part of it sold or  any of the paintings to tour.  So, it was big news in the Philadelphia area recently, when a group of influential people wanted to move the Barnes out of the suburbs and into the city.  Wider access was a very compelling reason.  But what about the wishes of Dr. Barnes.  This was the story behind the movie, "The Art of the Steal".  It is based on interviews of many of the players.  I found it fascinating.  As in most cases, the story is based on politics, money and power.

To relieve my winter doldrums, I went to visit the museum today before the entire collection is moved to the city in 2012.  As typical for me, either I forget to bring my camera or it's out of battery charge.  Today, no juice in the battery, not that you're allowed to bring a camera or anything else into the Barnes - and I mean ANYTHING else.  No camera, no purse, no jacket, not even a sketchpad.  They have lockers for a quarter to stow your stuff.  I would have loved to share the buildings along Latchs Lane, where The Barnes is located - Main Line Philadelphia Mansions.  You get the picture.


The paintings are just breathtaking.  Dr. Barnes' philosophy involved a form of grouping of the artwork, called ensembles.  This grouping was not by artist or date.  Many times it involved color,  It was a philosophy that he had developed.  In addition to the paintings, he also included beautiful hand forged ironwork, PA Dutch chests and various pieces of furniture.  All of it is displayed using natural colored burlap walls.  The upstairs is closed while they prepare the paintings for the move. 

I have very conflicted feelings about the move.  You have to see this movie.  I rented it through Netflix.  This man amassed these paintings, built a museum to house them and displayed them based on his philosophy.  His wishes were not followed.  They ignored his trust.  But finances became an issue and wider access and an influx of philanthropy became a solution.  What would Dr. Barnes think?